Chris McGovern

Rose & The Nightingale ~ A Concert Preview

In Composer/performer, Concert Previews, Interview, Jazz, Musicians, New Classical Music on May 8, 2013 at 3:25 am

Rose & The Nightingale are (L to R): Sara Caswell–violin, Laila Biali–piano and voice, Jody Redhage–cello and voice, and Leala Cyr–trumpet and voice (Photo courtesy of Ari Uzi)roseandnightingale

Jazz chamber ensemble Rose & the Nightingale have officially released their debut album, Spirit of the Garden (4 songs can be previewed on the embedded link below), on Sunnyside Records, and they are having an album release concert on Wed. May 8 at 9:00 pm at SubCulture in Manhattan (45 Bleeker St. @ Lafayette, downstairs).

Rose & the Nightingale are four powerful New York based multi-instrumentalists and improvisers: Jody Redhage (voice, cello, compositions), Leala Cyr (voice, trumpet), Sara Caswell (violin, mandolin), & Laila Biali (voice, piano). The band’s warm sound of three part vocal harmonies, intricate arrangements, and burning solos has proven to cut through to a deeper level of connection with audiences.

Cellist and composer/songwriter Jody Redhage had a few minutes to talk about Spirit in The Garden.

jodyredhage

“The whole album is based on the overall Japanese concept of haiku are always about nature, always ajudgmental, nothing is right or wrong, good or bad, and everything is observational. You just try to capture this special moment of wonder in this little poem, and the tradition is they all have a seasonal keyword, something that tells you the season of the year.

All of the lyrics of the 16 songs on Spirit in The Garden are poems, either poetry by Japanese haiku masters or by living American poets. I started collecting nature poetry in 2009–The loose overlying concept of this recording was going to be inspired by the nexus of spirituality and nature, as in nature as a place where you feel awe and where you feel a connection to something greater, or an energy force–all of these things. I was invited to be guest recitalist and composer in various places around the country over the past few years, and each of the places I went, I would find a local poet, usually somebody who was really well-known in that state, and if they didn’t have poems that fit the theme already they would write new ones. We did our first-ever concert at the San Francisco Conservatory of Flowers in Golden Gate Park last June–We collaborated with 2 local San Francisco poets who each wrote new poems in response to the Conservatory of Flowers spaces themselves. One of the poets, Evan Karp, wrote about this indoor rain forest room that’s in the Conservatory of Flowers, and a female San Franciscan poet named Silvi Alcivar wrote a piece inspired by the Orchid Room (and written while she was experiencing a family tragedy), by far the most emotional piece on the album.”

Click here for info/tickets for Rose & the Nightingale’s CD release concert May 7th at Subculture

Click here to purchase Spirit in The Garden

Rose & The Nightingale.com

Missy Mazzoli ~ On World Premiere of You Know Me From Here and Related Things

In Avant Garde, Composer/performer, Interview, New Classical Music on May 1, 2013 at 4:13 am

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Composer-performer (and composer) Missy Mazzoli had a few minutes to discuss her wonderful accomplishments as a composer, including the world premiere of her quartet You Know Me From Here that the Kronos Quartet will feature in their program on Friday, May 3rd at 9 PM at Zankel Hall at Carnegie. Click up here or on the link on the bottom for tickets and/or info.

CM: Please talk about the Kronos Quartet piece that’s being world premiered this week.

Missy: You Know Me From Here was commissioned by Carol Cole, for the Kronos Quartet, in honor of her husband Tim’s 75th birthday. Additional support was provided by Duke Performances/Duke University. When Carol asked me to write this piece I immediately imagined a twenty-minute musical journey homeward, a trek through chaos (I. Lift Your Fists) and loneliness (II. Everything That Rises Must Converge) to a place of security and companionship (III. You Know Me From Here).

This is, at its core, music about loss, but in the most positive sense; it speaks of the loss of our old selves, the jumps into the unknown, the leaps of faith we all must make and the beautiful moments when we find solace in a person, in an idea, or in music itself. The music itself shifts constantly from earthy, gritty gestures to soaring, leaping melodies that rarely land where we expect.

Everything Went Down Pretty Good

In Film, Indie, Review on April 25, 2013 at 6:01 am

From L to R: Noah Drew and Kate Tucker, stars of Everything Went Down EWDbar

[a film review]
Everything Went Down
Starring Kate Tucker and Noah Drew
Directed by Dustin Morrow
Little Swan Pictures
1 hour, 25 minutes
Rating: Not rated

If you are a fan of the indie musical Once, you will probably enjoy Everything Went Down just as much–Like that film, this one takes the musical genre into a much more incidental and realistic world, and still manages to leave one feeling the music as both a delightful standout and an equal narrative to the dialogue as opposed to just being in the background.

EDITOR’S NOTE: By the way, I did do a preview for this film about a year ago at this time when it was still getting backing for its completion, and even interviewed both Kate Tucker and the film’s director Dustin Morrow if you would like to check those out

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