Elissa Milne and her take on the audience deficit for new music concerts
Discussions about the small audiences new music attracts have been a constant of my life as a musician since I first entered university as a 16 year old to study composition.
I have to confess I’m getting a bit sick of the topic, mostly because there’s no mystery to these matters whatsoever, and the whole ‘debate’ ends up in the field of deliberate self-delusion almost as soon as it begins.
Last night someone said to me that audiences are small for ‘this kind of thing’ because, and I quote, “Australia is so backward”.
Something in my head finally broke after all the years, and I found myself struggling to hold back the waves of derision engulfing me. I may not have won that struggle.
I’m not going to waste my breath explaining the multitude of ways in which Australia fails to demonstrate backwardness. And before I don’t do that I’m…
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