Sarah Kirkland Snider

Composer Sarah Kirkland Snider, who made the critically-acclaimed Penelope and recorded it with Shara Worden, that Sarah Kirkland Snider, sat down and spoke to The Glass…Wow, this is difficult to let sink in!

Sarah has a piece for solo cello titled “The Reserved, The Reticent” that is among many great works programmed for the West 4th New Music Collective’s event Cellophilia, taking place this Friday, June 8th at 9 PM at 92nd Street Y Tribeca in NY. We talked about that and a few other career-related things! Continue reading

Nadia Sirota

“I always describe the viola as something that is kind of the wrong size for its body. It sounds like a man singing very high or a woman singing very low. And there’s something about that in-between-ness that is very attractive to me and the challenge of overcoming the fact that, physics-wise, it’s actually proportioned incorrectly, in other words, for a viola to be the right size for the length of its strings to play very easily, it would be something like the size of a small cello…There’s something about reaching in and having to get around that imperfection that really appeals to me, honestly.” Continue reading