Pianist Lara Downes and composer/pianist Jed Distler both sat down with me to talk about the new CD featuring the songbook of Billie Holiday.
In these interviews featured on the latest episode of The Glass Sho, they discuss the creative process behind presenting these special interpretations for solo piano of the classic songs recorded by Billie Holiday.
The CD, by the way, is available to pre-order on Amazon (CD will be officially released March 10th on the Steinway and Sons label):
Pre-order for A Billie Holiday Songbook by Lara Downes
The Glass Sho: Episode 34 (Lara Downes and Jed Distler On Billie Holiday Songbook/Eunbi Kim)
Lara’s page for Billie Holiday @100
Inspired by the email subject line “re: last night” on a crowded NYC subway, genre-bending New York City-based pianist Eunbi Kim performs a program of classical and contemporary solo piano works inspired by dreams and delirium. This program includes contemporary jazz-influenced works from composers Fred Hersch, William Albright, Nikolai Kapustin, Toby Twining, and the world premiere of a commissioned work for piano and recorded voices (titled ‘It Feels Like a Mountain, Chasing Me’) by eminent composer Daniel Bernard Roumain (DBR), who also serves as director for this unique, thought-provoking, experiential performance.
On the heels of a successful concert at the Kennedy Center in Washington, DC earlier this month, Eunbi will be performing this program once again at Korean Cultural Services in NYC on February 26th, 2015 at 7 PM. Info is available here
Eunbi Kim sat down and did a little interview with me for The Glass Sho podcast (Episode 34). Below is an excerpt where she speaks about debuting DBR’s ‘Mountain’ onstage.
“I was kind of nervous about performing it for different reasons, and I had no idea how people might respond to it, but this past Saturday was the World Premiere of the piece at the Kennedy Center, and I was just so blown away by the response–It was totally astounding! And I think when I was practicing it, and because I’m the one playing it, and it’s my voice, I don’t really get the effect, and I had a few people listen to it, and they said ‘It’s very moving’, but I think there’s something very different when you hear it live, through the high-grade audio speakers–It’s in a live setting with a roomful of people, and you can see everyone’s reactions. Somebody was describing it as a really captivating experience, and one that’s very involved. For instance, there are so many parts where it has no resolve, you think it’s going to get to some great resolution or revelation, and it might not, and it goes in many different directions. Now I’m so excited to play it New York and see what the response is here, because in DC, everybody said it was the highlight of the program, and I didn’t expect that at all.”
The Glass Sho: Episode 34 (Lara Downes and Jed Distler on Billie Holiday Songbook/Eunbi Kim)
Ludwig Van Beethoven
Piano Sonata #14, Op. 27, #2 in c-sharp minor (‘Moonlight’), I: Adagio sostenuto
Performed by Vladimir Horowitz
Happy Birthday Beethoven!!
Schubert/Liszt: “Gretchen am Spinnrade”
Schubert/Liszt: “Auf dem Wasser zu singen”
Schubert/Liszt: “Der Erlkonig”
Yuja Wang, piano
I know that it is Franz Liszt’s birthday and not Schubert’s, but Yuja does such wonderful renditions of these pieces I just had to post them.
My podcast The Glass Sho has a new home: PRX.ORG
Until I can figure out a way to move everything over to the new address, please feel free to enjoy the episodes on podomatic.com and iTunes.
In any event, I hope you all continue to enjoy the podcast.
The latest episode features interviews with Bang On a Can All-Stars’ pianist Vicky Chow and composer Danielle Eva Schwob and harpist Ashley Jennifer Jackson.
Ashley Jennifer Jackson has a debut concert for Lincoln Center tomorrow night (which will feature the debut of Danielle Schwob’s piece “Lights In The Dark” written for harp and string quartet), Sept. 20th at 8 PM at New York City Public Library for the Performing Arts at Lincoln Center, Dorothy and Lewis B. Cullman Center, Bruno Auditorium
The American Modern Ensemble Quartet will perform with Ashley in the second half of the program.
111 Amsterdam Avenue at W. 65th St, New York, NY 10023.
Admission is FREE, but tickets are still required; Please reserve here: www.chambermusicny.org/contact-us
Vicky Chow and I discussed her new releases:
Tristan Perich’s work Surface Image on New Amsterdam, which will be released Oct. 28th, and her recording of Steve Reich’s Piano Counterpoint, included on the Reich compilation Radio Rewrite, also including performances by Alarm Will Sound and Jonny Greenwood, and that will be released on Sept. 30 on Nonesuch.
Hear exclusive excerpts from these recordings on the podcast link below.
The Glass Sho: Episode 21 (Vicky Chow/Danielle Eva Schwob & Ashley Jackson)
Pianist Jenny Q. Chai (whom you might be familiar with from here because she has been on this blog several times interviewed and reviewed–if not, you must know her because she’s a respected figure in both classical and new music) had some time to sit and do another great interview with me, this time for The Glass Shō podcast, and I asked her to discuss her yet-to-be-released Naxos disc Life Sketches: Piano Music of Nils Vigeland, and some details about the composer and his music. Below is an excerpt from our chat, but you can hear the interview in its entirety on the Glass Sho link below and at the top right of this page.
“I’ve known Dr. Vigeland since I was 21, I was studying my first year of masters at MSM, and I think I just took a theory class of his. Back then I was a normal pianist that came out of Curtis Institute of Music and wanted to do horse-race type piano competitions. So my focus wasn’t on anything other than traditional classical repertoire, and just practicing a lot. I liked new music, and I had started playing it already at Curtis, but I wasn’t so serious–I wasn’t so sure about doing it full-time or really becoming a contemporary performer, but I was asked as a favor by a friend, John Slover, who ended up writing “Mallet Dance”, the 2-prepared piano piece I premiered in China. He was living on the same floor as the dorm, and he asked me if I could play this student piece of his, and I was like ‘Sure!’, and it didn’t take that much from me to work. The concert was great, and then I was asked to play for Dr. Vigeland because John Slover had studied with him. So that’s how we met–Later I took his theory class, and I guess he remembered me as a player. He was very warm, and he’d run into me in the library and hand me scores of Ives and Cage. He would just talk to me about new music, and then he eventually gave me the score for his own piece ‘Life Studies’. and I realized this was the first serious piano cycle I’ve ever received from a living composer, and I took it very seriously! I was also nervous because I felt my knowledge of new music wasn’t substantial enough to play it. but I practiced and worked with him, and it was great! He even offered to rewrite some passages because my hands were too small to play one particular page of the music, and I thought ‘Wow! How is that possible??’ That was my first real experience working with a living composer–I was someone who was used to playing classical composers like Beethoven and Mozart, and he was offering to rewrite a page for me–It was overwhelming! So that was the start of my longtime collaboration with Dr. Vigeland.”
The Glass Shō: Episode 7 (Jenny Q. Chai/Kristin Lee)
Jenny Q. Chai (jennychai.com)
Composer Michael Vincent Waller released Five Easy Pieces, a digital EP of solo piano pieces that sound very much in a vein that combines minimalist styles with French impressionism. Gumi Shibata and Jenny Q. Chai are the featured soloists on the recording.
Michael talks about the EP in this excerpt from the interview he did for The Glass Sho podcast. You can hear the interview in its entirety on the link below.
“Five Easy Pieces is a new EP I just released…Essentially, this is the beginning of my recorded career. I had always focused on live performance, composing and commissioned works, but recording was something I had been interested in, and this is my first offering, which, I think is music I want to hear. The EP is about creating a vibe of contemplation, a kind of hypnotic, relaxing introspection. Sort of philosophical while being emotional. The EP, although it’s only 25 mins, allows you to enter into that world and really experience it without being sort of overloaded, I guess.”
The Glass Shō: Episode 3a (Michael Vincent Waller)
Click here to purchase Five Easy Pieces by Michael Vincent Waller
Michael Vincent Waller (michaelvincentwaller.com)