Composer Lainie Fefferman sat down to do a really fun and informative interview with me for The Glass Sho podcast, and below are some excerpts from the chat about her 2 premieres next month. The rock oratorio Here I Am, featuring new music band Newspeak and a cappella trio Va Vocals (May 1st at Roulette in Brooklyn), and a stand-alone piece titled “The Pirate’s Daughter” to be premiered by ETHEL at their Homebaked Commssions concert (May 11th at DROM in Manhattan; Links with information are on the bottom)
You can listen to the full published interview on the Glass Sho link at the bottom or on the right of this page.
[Pictured left, Newspeak]
“Here I Am is a rock oratorio…It’s just tough what to call it. It’s new music, but it’s got lots of rock elements in it. I call it an oratorio because it is in the tradition of biblical stories and people singing out these biblical stories often as an omniscient narrator and not always taking on a role as a biblical character. It’s the intoning of these biblical stories and it’s not staged, but a semi-staged production. It’s got a lot of theatrical elements. It doesn’t feel like a concert to me, and I felt that rock lets you know the sound of the music that’s going to happen in this oratorio, because it’s a singing-out of these crazy biblical stories, so, that’s where that came from! I don’t really know what it is, it’s some kind of big, crazy theatrical music extravaganza, so I call it an oratorio.”
Trailer for the Pirate’s Daughter
“I’ve loved ETHEL forever! When I was just starting to learn about new music, one of the first CDs I bought was the 1st ETHEL CD with the arm. And I fell in love, I just decided that was it!
Ralph Farris called me some time ago, and I was actually having dinner with my family, and I said ‘Hello? Who is this number?’, and he said ‘Hi, this is Ralph Farris, can I talk to you?’, and I was talking to Ralph Farris! He said ‘We love your music, can you write a piece for us for our Homebaked Commissions?’, and I was over the moon! That was my dream commission!
I had been doing a series of pieces for a bunch of friends that I’m calling my portrait pieces–I tape interviews that I have with the commissioning performer, and I use that as a tape track. I highly edit it, but I use it as a tape track behind the piece, so that the audience hears the piece and the performer’s voice speaking about music, life and whatever we happen to be talking about. So this is what I wanted to also do for ETHEL’s piece. It turns out they are hilarious! So, the piece has a lot of humor, but I talked to them…Because ETHEL’s been so big in my life, I ended up talking to them a lot about the history of the group–what makes them (in my mind) a really special quartet and what makes them really different from other string quartets, and in a way, the piece is an homage to what they’ve done for the New York music scene and new music in general.”