Composer and founder of West 4th New Music Collective Molly Herron had a few minutes to chat with me on The Glass Sho about the upcoming concert titled New Music For New Instruments, which will be a full program of new works showcasing the collaborative efforts between composers and builders of very unique and unconventional units that promise to be just as fascinating as the music played on them.
Hear the podcast featuring Molly Herron here (It appears at 39:19, on the same episode as another Molly composer, Molly Thompson):
The Glass Sho: Episode 27 (Molly Herron/Molly Thompson)
You can still contribute to the Kickstarter that is raising funds for compensation for the composers and builders that worked on this project. The link appears below the page description.
The following appears courtesy of New Music For New Instruments/Molly Herron/Kickstarter
New Music for New Instruments is a program of works created through the collaboration of instrument builders Andy Cavatorta, Merche Blasco, and Nick Yulman and composers Angélica Negrón, Albert Behar, Fjóla Evans and Molly Herron. This program of world premieres will be presented on Sunday, November 16th at 7:30 pm at Brooklyn’s Littlefield.
The music on this concert is the result of collaborations between this close-knit group of artists working together in builder/composer pairs. Performers include Lucy Dhegae, Charlotte Mundy, Emilie Weibel, Lisa Dowling, Amy Garapic and boy soprano Aryeh Blumefeld.
The instruments involved in New Music for New Instruments have been recently designed and built and cover a spectrum of techniques. Angélica Negrón creates a piece using text from the Little Prince featuring a boy soprano singing amongst a sea of robotic modules that can produce sound out of any object, created by Nick Yulman. Albert Behar and Molly Herron write for Andy Cavatota’s Overtone Harp – a piano harp mounted vertically and fitted with electro-magnets that stimulate strings in multiple overtone combinations. Fjóla Evans writes for three sopranos and Merche Blasco’s Theremins that process the vocalists’ sound based on their movements.
The composers and builders, each individually known for experimentation and unconventional sound interfaces, worked together to develop the instruments and the music written for them. The result is a conversation about music and the potential of new sounds created through new avenues for engaging dynamic performances.
New Music for New Instruments (order subject to change)
Composer: Fjóla Evans, Builder: Merche Blasco
Composer: Molly Herron, Builder: Andy Cavatorta
The Loveliest and Saddest Landscape in The World
Composer: Angélica Negrón, Builder: Nick Yulman
Composer: Albert Behar, Builder: Andy Cavatorta
The Equator and Dancing on the Radio
Composer and Builder: Nick Yulman
Composer: Albert Behar, Builder: Nick Yulman
Composers: Evans/ Blasco, Builder: Merche Blasco
The program will run approximately 90 minutes and will have one intermission.
About the creation of New Music for New Instruments:
Our team has been working together over most of this year to develop the material on this concert. After spending time as a group sharing our work and discussing ideas, we formed into smaller partnerships in which we began to develop pieces.
Over the time we spent creating the pieces, there was an interchange between the composers and instruments builders about what was possible, what the instruments leant themselves to, and any possible modifications that could be made to the instruments or the music that would make the work more successful.
This project has been fun and fulfilling and the interaction with each other has made us better at what we do. Now we are making the final push towards the concert on November 16th when we can share all our work with you!
Even though the concert is the culmination of this project, we hope that these collaborations blossom into something that can be a part of our work in the future. We certainly know that these partnerships will stay with us for a long time!
Why we need your help:
A grant from the Brooklyn Arts Council made this whole project a possibility to begin with. With the BAC funds we have been able to hire musicians, pay for some essential instrument modifications, afford instrument transportation and many other costly aspects of producing a project of this size.
However, the grant wasn’t large enough to pay our collaborators even a modest fee for their time. With this fundraiser, we hope to raise enough money to give our composers and instrument builders some compensation for the work they have poured into this project over the last year.
Also, since so much of this work is so visual, we feel that it is important to document the concert visually. We are raising money here to be able to pay for our amazing videographer, Nick Cusworth, to make a video of the concert so that we can share our work into the future.