On this, her second CD, pianist Melody Fader presents an all-Chopin recital that covers a decent cross section of Chopin’s well-known repertoire, and plays it with such a refreshing tone. The recording, having been done at Fraser Performance Studio (home of WGBH), reveals itself as a crisp, rich document of this young soloist’s journey of an ultimate “pianist’s composer”.
After a superb reading of the F-sharp Bacarolle, op. 60, Fader performs 4 straight pieces in C-sharp (technically, 2 of them are D-flat–In any event, it’s a chord that exudes such warmth for me, and I just can’t explain why) that almost sound as if Chopin intended this to be another sonata. Among these works is the Nocturne #2, and being a piece that I have never been able to keep a memory of from anyone, it seems to finally have a memory thanks to Fader–I think she succeeds in making it a signature piece (take a look here). Read the rest of this entry »